Sans Superellipse Pimuh 6 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Ikigai', 'Sharp Grotesk Latin', and 'Sharp Grotesk Paneuropean' by Monotype and 'TT Bluescreens' by TypeType (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, industrial, authoritative, poster-ready, compressed, athletic, space-saving impact, display emphasis, modern utility, strong silhouette, condensed, blocky, compact, sturdy, high-impact.
A tightly condensed, heavy-weight sans with rounded-rectangle construction and broadly uniform strokes. Curves are squared-off into superelliptical bowls, producing compact counters and a dense, vertical rhythm. Terminals are blunt and clean, with minimal modulation and few detailing gestures; joins and inner corners stay crisp while outer forms remain softly rounded. Lowercase is tall and utilitarian, and figures follow the same compact, block-like proportions for strong alignment in mixed settings.
Best suited to short, high-impact text such as posters, headlines, labels, and storefront or wayfinding applications where space is limited. It can also work for sports and event branding, editorial display, and bold packaging callouts, while longer passages benefit from generous tracking and leading.
The overall tone is forceful and no-nonsense, with a modern industrial feel. Its compressed width and solid mass give it an assertive, headline-first voice that reads as confident, practical, and slightly retro in a signage-and-stencil-adjacent way without overt ornament.
The design appears intended to maximize impact and legibility in tight horizontal space by combining condensed proportions with superelliptical, rounded-rect geometry. Its simplified stroke behavior and compact counters suggest a display face optimized for strong silhouette recognition and consistent, emphatic texture at large sizes.
The dense apertures and tight counters create a dark text color, especially in longer words and all-caps. Round letters (like O/C) skew toward squared geometry, and diagonals (like V/W/X) stay straight and taut, reinforcing a disciplined, engineered character.