Cursive Ohdi 9 is a regular weight, very narrow, low contrast, italic, very short x-height font.
Keywords: greeting cards, wedding stationery, quotes, packaging, social media, friendly, whimsical, casual, romantic, airy, handwritten charm, signature feel, friendly voice, fluid motion, monoline, looping, fluid, tall ascenders, long descenders.
A lively monoline script with a pronounced rightward slant and a tall, narrow stance. Strokes stay fairly even in thickness, with rounded terminals and frequent looped entries and exits that create a continuous, flowing rhythm in text. Capitals are larger and more gestural than the lowercase, often built from single sweeping strokes with occasional flourishes, while the lowercase remains compact with a small core height and long ascenders/descenders. Numerals follow the same handwritten logic, using open curves and simple, lightly stylized forms that keep the set cohesive.
Best suited to display and short-form text where a handwritten voice is desirable—greeting cards, invitations, romantic or boutique branding, product packaging, and social graphics. It can also work for headings or pull quotes when ample size and spacing preserve the delicate connections and loops.
The overall tone is personable and lighthearted, like quick neat handwriting used for notes, invitations, or friendly branding. Its looping connections and soft curves give it a gentle, slightly playful character without feeling overly decorative.
Designed to emulate natural cursive handwriting with consistent pen pressure, emphasizing fluid connectivity, tall elegant ascenders, and a brisk italic motion. The goal appears to be an approachable signature-like script that stays clean and legible while retaining hand-drawn charm.
Letterfit appears tight and vertically oriented, so the texture in paragraphs becomes lively and rhythmic, especially where loops stack in sequences (such as m/n and repeated ascenders). The italic slant and continuous joins favor smooth, uninterrupted word shapes; at very small sizes, the narrow proportions and connected forms may read best in short phrases rather than dense copy.