Script Itmik 11 is a regular weight, normal width, very high contrast, italic, short x-height font.
Keywords: invitations, branding, packaging, headlines, greeting cards, elegant, playful, vintage, charming, formal, decorative script, calligraphic feel, boutique branding, celebratory tone, ornate capitals, looped, swashy, flourished, upright-leaning, monoline-like.
A flowing script face with pronounced entry/exit strokes, rounded terminals, and frequent looped bowls and descenders. Stroke modulation reads as calligraphic, with smooth curves and a rhythmic, slightly bouncing baseline that keeps the texture lively. Capitals are especially ornate, featuring generous swashes and curled interior counters, while lowercase forms are simpler but still carry distinctive loops on letters like g, j, y, and z. Numerals echo the same handwritten logic with curved spines and decorative hooks, keeping the set visually consistent.
Works best for short to medium-length display settings such as invitations, event materials, boutique branding, product labels, and greeting cards. It is particularly effective when you can lean on the distinctive capital forms for monograms, names, or opening words, and when set with generous size and comfortable line spacing.
The overall tone is refined yet friendly—decorative without feeling stiff. Its looping forms and swashy capitals suggest a nostalgic, crafted sensibility suited to celebratory or boutique contexts, while the steady rhythm keeps it approachable.
The design appears intended to provide a decorative, calligraphy-inspired script with expressive capitals and consistent handwritten rhythm for polished display typography. It prioritizes personality and ornamental detail over minimalism, aiming for a crafted, classic look in titles and signatures.
Letter connections appear selective rather than fully continuous, so spacing and joins read more like carefully drawn script than fast handwriting. The ornate capitals create strong word-shape signatures and can dominate at smaller sizes, where the fine curves and interior curls may begin to merge.