Sans Rounded Solu 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Chankfurter' by Chank; 'Bouba Round' by HVD Fonts; 'BoldBold' by Intellecta Design; 'Anantason Mon' by Jipatype; 'Sebino Soft' by Nine Font; and 'Core Sans DS', 'Core Sans ES', and 'Core Sans R' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids media, branding, playful, friendly, chunky, casual, bouncy, approachability, playfulness, display impact, informal tone, rounded, soft, bulky, cartoonish, blobby.
A heavy, rounded sans with a consistent, low-contrast stroke and an overall forward slant. Forms are built from soft, inflated curves with generously rounded terminals and corners, producing a chunky, cushion-like silhouette. Counters are compact and often asymmetrical, and the rhythm feels lively due to slightly irregular proportions across letters (notably in diagonals and joins). The figures match the letterforms in weight and softness, with bold, simple shapes and a clear, open construction suited to large sizes.
This font is well suited to headline-driven work where bold, friendly impact is needed—such as posters, packaging, playful branding, app splash screens, and children’s or entertainment-oriented graphics. It will typically perform best at display sizes where its rounded details and compact counters remain clear.
The typeface conveys a warm, upbeat tone with a hand-drawn, comic energy. Its soft geometry and bold presence feel approachable and fun rather than formal, lending a sense of friendliness and motion in headlines and short phrases.
The design appears intended to deliver maximum visual impact with a soft, approachable voice—combining bold massing, rounded terminals, and a lively italic slant to create a playful display sans that feels contemporary and informal.
Uppercase forms are broad and simplified with rounded apexes and deep curves, while lowercase letters keep single-storey structures where expected and emphasize soft joins and bulbous shoulders. The italic angle is pronounced enough to read as energetic without becoming script-like, and the dense weight makes internal spaces a key part of legibility.