Sans Superellipse Kymaj 2 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Murs Gothic' by Kobuzan, 'Otoiwo Grotesk' by Pepper Type, 'Radiate Sans' by Studio Sun, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logo design, packaging, sporty, retro, energetic, confident, playful, impact, speed, friendliness, branding, display, rounded, soft corners, slanted, blocky, compact counters.
A heavy, slanted sans with wide, superellipse-driven forms and generously rounded corners. Strokes are thick and steady, with smooth transitions and minimal detail, producing a compact, solid silhouette across letters and numerals. Counters tend to be small and rounded, and terminals are blunt with softened edges; many horizontals and diagonals read as slightly sheared, reinforcing a forward-leaning, speed-oriented rhythm. The overall spacing feels display-focused, with strong black shapes and consistent curvature that keeps the texture cohesive at large sizes.
Best suited to headlines and short bursts of text where its dense weight and rounded, slanted geometry can carry a message quickly. It works well for sports branding, event posters, product packaging, and logo or wordmark explorations that want a fast, punchy presence. In UI or long text, it will be most effective as an accent style rather than a primary reading face.
The face projects motion and impact, combining a sporty, performance vibe with a slightly retro, arcade-like friendliness. Its soft corners and chunky geometry make it feel approachable rather than aggressive, while the strong slant adds urgency and excitement. Overall, it reads as bold, upbeat, and attention-seeking.
Designed to deliver maximum visual impact through wide, rounded-rectangular construction and a consistent forward slant. The intention appears to be a contemporary display sans that communicates speed and confidence while staying friendly via softened corners and compact counters.
Round letters like O/Q and the bowls of B/P/R emphasize squarish-rounded construction rather than perfect circles. Numerals echo the same softened, blocky logic, staying highly graphic and uniform in weight and curvature, which helps maintain a consistent brandable look across mixed alphanumerics.