Sans Faceted Siry 7 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Berthold Corporate S' by Berthold, 'Koran' by Genesislab, 'Netadyne' by Godbless Studio, 'John Sans' by Storm Type Foundry, 'Gordita' by Type Atelier, and 'Inovasi' and 'Magnify PRO' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, industrial, aggressive, futuristic, display, impact, speed, modern edge, ruggedness, geometric styling, faceted, angular, chamfered, blocky, oblique.
A heavy, oblique sans with sharply faceted construction: curves are largely replaced by planar cuts and chamfered corners, giving counters and bowls a polygonal feel. Strokes stay broadly uniform, with crisp terminals and a forward-leaning stance that creates strong lateral momentum. Proportions read on the broad side with ample internal space in round letters, while diagonals (V, W, X, Y, Z) are sturdy and emphatic. The lowercase follows the same cut, geometric logic, keeping a compact, sturdy texture that remains legible at larger sizes.
Best suited to short, high-visibility settings such as headlines, posters, event graphics, sports and esports identities, packaging callouts, and bold signage. Its angular counters and thick strokes favor medium-to-large sizes where the faceting can be appreciated and the italic energy reads clearly.
The faceted geometry and strong slant project speed, toughness, and a mechanically precise attitude. It suggests action-oriented branding and contemporary, high-impact messaging rather than quiet editorial reading.
The design appears aimed at delivering an energetic, high-impact display voice by combining a bold oblique skeleton with consistent faceted cuts that replace traditional curves. The intent is to feel fast and engineered, while keeping letterforms straightforward enough for prominent, practical titling.
Distinctive polygonal shaping appears consistently across both uppercase and lowercase, including numerals, where rounded forms (0, 6, 8, 9) become octagonal/helmet-like. The forward slant and broad set width combine to create a loud rhythm; spacing feels intentionally open to prevent the heavy shapes from clogging when set in words.