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Serif Normal Onmy 10 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Acreva' by Andfonts, 'Kangmas' by Azzam Ridhamalik, 'Ysobel' by Monotype, and 'Evans' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, book covers, branding, packaging, traditional, scholarly, authoritative, warm, readability, authority, classic revival, editorial voice, print emphasis, bracketed, teardrop terminals, ball terminals, softened, robust.


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A robust serif with pronounced stroke modulation and strongly bracketed serifs. The design favors rounded joins and softened terminals, with frequent teardrop/ball-like endings on letters such as C, G, S, and in the lowercase, giving the face a slightly sculpted, ink-friendly feel. Capitals are broad and steady, with generous curves in bowls and a confident, weighty presence; lowercase forms are compact and sturdy with a clear, traditional construction and a moderate amount of internal space. Numerals are old-style in spirit with varied widths and rounded shapes, matching the text rhythm and reinforcing an overall bookish texture.

Best suited to headlines and subheads, editorial titling, and short to medium blocks of text where a darker typographic color is desirable. It can work well for book and magazine covers, institutional or heritage branding, and packaging that benefits from a traditional, crafted impression. In smaller sizes, it will favor situations with comfortable line spacing to keep the dense weight from feeling tight.

The tone is classic and dependable, evoking print-era credibility and a literary, editorial sensibility. Its softened terminals add a touch of warmth and approachability, keeping the heaviness from feeling severe. Overall it reads as formal but personable, suited to contexts where tradition and clarity are valued.

The design appears intended as a contemporary, sturdy text serif with a classic foundation, emphasizing strong contrast and traditional proportions while adding friendly, rounded terminal details. It prioritizes authoritative readability and a distinctive editorial voice over minimalism.

In text, the heavy color creates a strong typographic “voice” and a dense, even paragraph texture. The prominent serifs and rounded details help maintain continuity across lines, while the lively terminals add character at display sizes without becoming overly decorative.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸