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Inline Miti 5 is a bold, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, logo, signage, playful, quirky, retro, whimsical, crafty, display impact, vintage feel, handmade charm, dimensional detail, friendly tone, inline, decorative, hand-drawn, rounded, wobbly.


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A decorative inline letterform with chunky, low-contrast strokes and a carved inner line that creates a hollowed, dimensional feel. The outlines are slightly irregular and wavy, with soft corners and gently tapered joins that suggest a hand-cut or sign-painted construction rather than rigid geometry. Proportions are generally broad with open counters; curves are full and rounded, and terminals often end in subtle flares or angled cuts. Spacing reads roomy in display settings, and the inline detail stays consistently centered through most strokes, giving the face a unified “engraved” rhythm.

Best suited to display typography such as headlines, posters, event graphics, and signage where the inline detail can be appreciated. It also works well for packaging, labels, and branding marks aiming for a handcrafted, vintage-leaning voice. For body copy, it’s more appropriate in short bursts—pull quotes, callouts, or titles—rather than extended reading.

The overall tone is playful and nostalgic, evoking vintage shop signage, carnival posters, and handmade title lettering. Its friendly wobble and bold interior striping give it a lively, informal character that feels more charming than strict or technical.

The design appears intended to deliver a bold, attention-grabbing display voice with a carved inline accent that adds depth and ornament without relying on high contrast. Its controlled irregularities suggest an aim to mimic handmade lettering and retro sign aesthetics while maintaining consistent construction across the alphabet and numerals.

The inline carving adds visual texture and a sense of depth, especially in round glyphs and numerals, but it also increases detail density—making the style most effective when given enough size and breathing room. The design’s intentional irregularity contributes to personality, but it can read busy in long passages or tight settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸