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Free for Commercial Use

Inline Amja 2 is a very light, narrow, medium contrast, upright, short x-height font.

Keywords: headlines, posters, packaging, invitations, craft branding, hand-drawn, playful, whimsical, casual, quirky, handmade charm, decorative inline, casual display, light texture, monoline, inline detail, sketchy, rounded, open counters.


Free for commercial use
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A hand-drawn inline display face with very thin, slightly wobbly strokes and a consistent inner line that tracks the contours of each glyph, creating a hollowed, double-stroke effect. Forms are tall and compact with narrow apertures and rounded corners, and many curves show gentle, organic irregularities typical of pen-drawn lettering. Stroke endings are mostly blunt with occasional soft hooks, and the overall rhythm is lively rather than strictly geometric. Uppercase shapes are simple and legible, while lowercase has a casual, note-like construction with modest ascenders and a comparatively small x-height.

Best suited to short display settings where the inline detail can be appreciated: headlines, posters, book or album covers, packaging accents, and event or invitation materials. It can also work for playful branding and social graphics, while long body text or very small sizes may reduce clarity due to the fine strokes and interior line.

The inline treatment and sketchy stroke behavior give the font a lighthearted, handmade tone that feels informal and approachable. It suggests doodles, journaling, and crafty signage rather than polished corporate typography, with a friendly quirkiness that reads as playful and personal.

The design appears intended to deliver a distinctive inline look with an intentionally imperfect, hand-sketched personality. Its goal is decorative clarity—recognizable letterforms enhanced by a light, outlined interior that adds charm and visual texture without becoming heavy.

The inline channel remains visible even in tight curves (notably in rounded letters and numerals), which adds texture but can create busy interiors at small sizes. Spacing appears relatively even for a hand-drawn style, and the tall proportions help maintain readability despite the delicate line work.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸