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Free for Commercial Use

Inline Ilhe 11 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'Moho' and 'Moho Style' by John Moore Type Foundry (names referenced only for comparison).

Keywords: posters, logotypes, headlines, signage, packaging, art deco, retro, architectural, industrial, display, vintage signage, decorative impact, geometric construction, inline styling, geometric, monoline, rounded corners, squared bowls, condensed.


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A condensed, tall display face built from heavy rectangular strokes with a crisp inline channel running through each form. Curves are simplified into squared bowls and rounded corners, giving letters a geometric, constructed feel rather than calligraphic modulation. Counters are compact and the inner inline creates a double-line/pipe effect that stays consistent across straight and curved segments. Overall spacing and widths vary by character but maintain a steady vertical rhythm and strong silhouette.

Best suited for display applications such as posters, event titles, album/film graphics, and brand marks where the inline detail can be appreciated. It also works well for signage and packaging that aims for a retro-industrial or deco-inspired voice, especially when set with ample size and breathing room.

The inline treatment and condensed proportions evoke vintage signage and early-20th-century poster typography, with an Art Deco–leaning sense of structure. It reads as confident and mechanical, with a streamlined, urban mood suited to bold headlines and stylized branding.

The font appears designed to deliver a strong, condensed headline presence while adding visual interest through a consistent inline cut. Its constructed geometry and uniform stroke behavior suggest an intention to mimic vintage engineered lettering and sign-painter aesthetics in a clean, repeatable system.

The design relies on interior negative space for definition, so the inline channel becomes a key readability feature; it’s most effective at medium-to-large sizes where the inner detailing stays clear. Numerals match the same constructed geometry, and the overall texture stays tightly packed and high-impact in lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸