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Free for Commercial Use

Sans Contrasted Abru 5 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, magazines, branding, posters, packaging, editorial, luxury, fashion, dramatic, refined, editorial tone, premium branding, display impact, modern classic, high-contrast, hairline, crisp, sharp, elegant.


Free for commercial use
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A high-contrast text and display face with razor-thin hairlines set against bold vertical stems, producing a crisp, incisive rhythm. The letterforms are upright with clean, open counters and a distinctly modulated stroke flow that reads like a modernized classic model. Joins and terminals tend to be sharp and neatly controlled, with occasional needle-like diagonals and fine cross strokes that emphasize precision. Proportions feel slightly display-leaning, with confident capitals and a lowercase that remains readable while showcasing the strong thick–thin contrast.

Best suited for headlines, magazine layouts, and brand systems where high contrast can be used as a signature visual element. It will shine in larger sizes for fashion, beauty, culture, and luxury-oriented communication, and can also work for short text passages when given sufficient size and spacing. Packaging and poster work benefit from its sharp, refined presence and strong black–white articulation.

The overall tone is polished and dramatic, evoking editorial sophistication and a sense of premium restraint. Its stark contrast and sleek detailing convey a fashion-forward, curated mood rather than casual warmth. The typography feels poised and intentional, suitable for settings that want elegance with bite.

This design appears intended to deliver an editorial, high-end voice through pronounced thick–thin modulation and clean, upright construction. The emphasis is on sophistication and visual drama, balancing readable structure with striking hairline finesse for contemporary branding and display typography.

In text, the extreme contrast creates a shimmering texture, especially where many hairlines cluster (such as in diagonals and crossbars). Numerals and capitals present a formal, composed presence, while the lowercase maintains a streamlined, contemporary cadence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸