Sans Superellipse Olrah 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Conthey' by ROHH, 'Core Mellow' by S-Core, 'Godiva' by Suby Studio, and 'Headlines' by TypeThis!Studio (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, industrial, friendly, retro, efficient, compact, space saving, high impact, softened utility, systematic geometry, rounded, condensed, blocky, soft-cornered, geometric.
A condensed sans with a rounded-rectangle construction: straight stems and bars terminate in soft corners, while bowls and counters feel squarish and superelliptical rather than purely circular. Strokes are uniform and heavy, producing strong, even color with minimal contrast. Curves are tightly controlled and the joins stay clean, giving the face a sturdy, engineered rhythm; the narrow set and short extenders keep lines compact. Numerals and capitals follow the same rounded-rect geometry, with simplified, pragmatic shapes and consistent spacing.
Best suited to headlines and short copy where compact width and strong color are assets—posters, labels, wayfinding, and bold UI callouts. It can also work for logos and wordmarks that want a rounded-industrial or retro-tech impression, though the heavy, condensed texture may feel dense in long paragraphs at small sizes.
The overall tone is utilitarian but approachable—like industrial signage softened by rounded corners. It reads as confident and modern with a subtle retro-tech flavor, balancing firmness (heavy, compact forms) with friendliness (soft terminals and rounded interior corners).
The design appears intended to deliver maximum impact in minimal horizontal space, using a consistent superelliptical rounding system to keep a bold, engineered structure from feeling harsh. The uniform stroke and softened corners suggest a focus on clarity, consistency, and a contemporary signage-like presence.
The condensed proportions and dense weight emphasize verticality and make the font feel space-efficient. Round letters (O, Q, 0) appear squarer than typical grotesks, and the repeated corner radius creates a cohesive, modular texture across text.