Outline Tyzi 3 is a very light, wide, low contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, gaming, tech packaging, retro, technical, sporty, futuristic, energetic, dynamic display, retro futurism, technical styling, headline impact, oblique, wireframe, inline, angular, faceted.
A slanted outline face built from sharp, faceted geometry and open counters, with only the outer contour drawn. Letterforms lean forward with straightened curves, clipped corners, and occasional internal segmentation that reads like panel lines rather than fill. Strokes stay consistently thin, producing a crisp wireframe silhouette; spacing is generous and the overall texture is airy, especially in longer lines. Numerals and capitals follow the same chamfered, constructed logic, emphasizing diagonals and hard joins over smooth arcs.
Best suited to display applications where the outline construction can breathe: headlines, poster typography, title cards, and branding for sports, gaming, or tech-forward products. It works particularly well over solid color fields or high-contrast backgrounds where the contour remains legible and the wireframe aesthetic reads as intentional styling.
The font conveys a fast, engineered attitude—part retro display lettering, part schematic drafting. Its oblique stance and angular cuts suggest motion, precision, and a slightly arcade/sci‑fi flavor, while the outline treatment keeps it light and high-impact rather than heavy or authoritative.
The design appears intended as a dynamic display outline with a constructed, industrial feel—prioritizing speed, angular character, and a distinctive wireframe presence over continuous text readability. Its consistent slant and chamfered forms aim to create a cohesive, high-energy voice for modern or retro-futuristic graphic systems.
Because the design relies on contour only, smaller sizes or low-resolution contexts may lose clarity, while larger settings emphasize its distinctive faceting and interior breaks. The slant and segmented shapes create a strong rhythm in headlines, but dense paragraphs can feel busy due to the frequent corners and open interiors.