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Free for Commercial Use

Sans Superellipse Yipu 4 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'ATC Duel' by Avondale Type Co., '1312 Sugoi' by Ezequiel Filoni, 'Muller Next' by Fontfabric, 'Hubba' by Green Type, 'Loft' by Monotype, 'Kreak Display' by Tebaltipis Studio, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: sports branding, posters, headlines, logotypes, packaging, sporty, retro, assertive, fast, loud, impact, speed, branding, display, athletic, oblique, rounded, blocky, squared, compact apertures.


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A heavy, oblique sans built from rounded-rectangle (superellipse) forms and blunt, wedge-like terminals. Strokes are consistently thick with subtle modulation from the slant, and counters are relatively tight, creating dense, ink-trap-like notches in places (notably in S-like curves and some numerals). The geometry favors squared-off rounds—O/C/G feel like softened boxes—while diagonals and joins are crisp and angular, giving the face a cut, machined look. Spacing appears sturdy and display-oriented, with a strong rightward momentum and large, uniform lowercase that reads as close in presence to the capitals.

Best suited for short, prominent text where impact matters: sports branding, event posters, bold headlines, and logo wordmarks. It can also work for packaging or product marks that benefit from a tough, aerodynamic feel, especially at medium-to-large sizes where the tight counters remain clear.

The overall tone is high-impact and energetic, with a clear sense of speed from the oblique posture and forward-leaning shapes. Its chunky, rounded-block construction evokes sporty and retro-industrial cues—confident, punchy, and built to shout rather than whisper.

The design appears intended to deliver maximum visual punch with a fast, forward-leaning stance, combining rounded-rectangle construction with sharp cuts to suggest motion and strength. Its consistent, engineered shapes prioritize bold recognition and a distinctive display texture over quiet neutrality.

Several glyphs use distinctive interior cut-ins and short horizontal breaks that add character and improve separation at large sizes, contributing to a rugged, performance-driven texture. Numerals are similarly compact and muscular, matching the alphabet’s squared-round construction for consistent signage-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸