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Free for Commercial Use

Sans Normal Lykoh 21 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Actay' by Arodora Type, '2030' by Noir Typo, 'Qualion' by ROHH, 'Gilroy' by Radomir Tinkov, 'Mundial Narrow' by TipoType, and 'Grold' and 'Grold Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, punchy, playful, sporty, retro, assertive, attention grab, convey motion, display impact, branding strength, slanted, rounded, chunky, compact, lively.


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A heavy, slanted sans with chunky, rounded forms and strongly cut, angular terminals. Strokes are broadly uniform with minimal contrast, and the geometry mixes circular counters with sheared, wedge-like joins that add snap to the silhouettes. The lowercase shows compact, sturdy shapes with single-storey forms and short, dense apertures, while the numerals are bold and tightly drawn for headline impact. Overall spacing and rhythm feel compressed and energetic, emphasizing mass and forward motion.

Best suited for short, high-impact settings such as headlines, posters, event promos, sports and team branding, bold packaging callouts, and logo wordmarks. It can also work for energetic display copy where a dense, forward-leaning texture helps convey urgency or motion, but it is less ideal for long passages of small text.

The font reads loud and kinetic, with a friendly toughness that suggests motion, impact, and immediacy. Its rounded cores keep it approachable, while the pronounced slant and sharp cuts give it a competitive, poster-like attitude. The overall tone leans playful and retro-leaning, suited to attention-grabbing messaging.

The design appears intended as a high-impact display sans that combines rounded, geometric foundations with italicized, sharply cut details to create a fast, forceful texture. Its proportions and dense weight suggest an emphasis on immediate legibility at large sizes and strong presence in branding contexts.

Round letters like O and Q are notably thick and stable, with a small, centered counter that boosts a “stamped” look in larger sizes. Many shapes feature consistent diagonal shearing, creating a cohesive italic texture across both uppercase and lowercase. The sample text shows strong black-on-white presence with compact word shapes that prioritize impact over fine-detail readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸