Sans Faceted Anvo 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Sicret' by Mans Greback (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, packaging, industrial, techno, arcade, military, retro, impact, hard-surface, systematic, futurism, branding, angular, beveled, octagonal, blocky, compact.
A heavy, geometric display face built from straight strokes and clipped corners, replacing curves with planar facets. Counters are mostly angular and rectangular, and round letters resolve into octagonal silhouettes. Strokes maintain a consistent thickness with crisp joins and square terminals, producing a dense, compact color in text. The lowercase echoes the uppercase construction with simplified, modular shapes and short extenders, while numerals follow the same beveled, cut-corner logic for a cohesive set.
Best suited to headlines, posters, branding marks, and short, high-impact phrases where the faceted construction can be read clearly. It also fits interface-like graphics for gaming, sci‑fi, and industrial themes, plus packaging or signage that benefits from a rugged, stenciled-adjacent presence. For longer passages, it works most comfortably at larger sizes with generous spacing.
The overall tone is tough and mechanical, with a distinctly digital and game-like edge. Its faceted geometry suggests engineered surfaces—machined metal, sci‑fi interfaces, and industrial labeling—while the chunky forms read assertive and commanding. The style feels retro-futuristic: modern in construction but reminiscent of classic arcade and early computer display aesthetics.
The letterforms appear designed to translate a sans structure into a hard-surfaced, faceted aesthetic, prioritizing strong silhouettes and consistent angular logic over traditional curves. The intent seems to be a bold display voice that remains systematic across cases and figures, delivering a rugged, tech-forward look with clear, modular construction.
The design’s clipped diagonals create a rhythmic pattern of notches and chamfers that becomes especially noticeable in all-caps lines. Because many forms are highly squared and tightly enclosed, small sizes may reduce interior clarity compared to more open grotesques, while larger settings emphasize the distinctive beveling and silhouette.