Sans Other Pevo 12 is a bold, wide, monoline, italic, normal x-height font.
Keywords: headlines, posters, logos, esports, packaging, futuristic, aggressive, racing, techno, action, speed cue, tech styling, high impact, sci-fi ui, branding voice, angular, forward-leaning, chamfered, mechanical, compressed counters.
A slanted, angular sans built from straight strokes and sharp corners, with consistent stroke thickness and frequent chamfered terminals. Forms are constructed with geometric, polygonal bowls and tight internal apertures, giving many letters a compact, cut-out look. The rhythm is dynamic and right-leaning, with segmented diagonals and squared curves that emphasize speed and direction. Uppercase and lowercase share a cohesive, engineered structure, and numerals follow the same faceted, italicized geometry for a unified set.
Best suited to display settings such as headlines, posters, branding marks, and game or esports graphics where a fast, technical voice is desired. It also works well for product packaging, title cards, and UI accent text in science/technology contexts. For long passages at small sizes, the tight counters and angular apertures may reduce readability compared to more open grotesques.
The overall tone is fast, assertive, and high-tech, evoking motorsport graphics, sci‑fi interfaces, and arcade-era display typography. Its sharp angles and forward slant communicate motion and urgency, while the hard-edged construction reads as technical and tactical rather than friendly or casual.
The design appears intended to deliver a speed-driven, futuristic aesthetic through a pronounced slant, faceted geometry, and hard-cut terminals. Its construction prioritizes impact and thematic styling over neutrality, offering a distinctive voice for energetic, tech-forward communication.
Counters are often small and rectilinear, and some joins create distinctive notches that add a machined, stencil-like flavor without fully breaking the strokes. The italic angle and angular detailing are strong visual signatures, making the face most effective when allowed to appear large and bold in a composition.