Sans Normal Yafa 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Generic' by More Etc and 'Cern' by Wordshape (names referenced only for comparison).
Keywords: posters, packaging, headlines, stickers, social graphics, playful, handmade, friendly, chunky, casual, approachability, handcrafted feel, bold impact, informal tone, rounded, blobby, soft corners, uneven texture, inked.
A heavy, rounded sans with soft corners and slightly irregular outlines that suggest an inked or hand-cut process. Strokes are thick and largely monoline, with subtly wobbly edges and uneven internal counters that give each glyph a distinct, organic silhouette. Curves are broad and bulbous, terminals are blunt, and spacing reads open enough to keep the dense shapes legible in short words and headlines. Overall proportions feel straightforward and readable, with sturdy verticals and simplified joins that prioritize bold clarity over refinement.
Best suited for display applications such as posters, packaging, labels, and bold headlines where its chunky, hand-rendered texture can carry personality. It also works well for playful branding, children’s materials, and short social graphics, but is less ideal for long text or small UI sizes due to its heavy mass and irregular edge detail.
The font conveys a warm, humorous tone with a craft-like, imperfect finish. Its chunky shapes and gentle irregularity feel approachable and informal, leaning toward youthful, DIY, and snackable display typography rather than formal editorial polish.
The design appears intended to deliver an approachable, handcrafted bold sans that adds character without relying on decorative flourishes. By combining simple geometric underpinnings with intentionally imperfect contours, it aims to feel human, fun, and immediately attention-grabbing in display settings.
Round letters like O/C/G show slightly asymmetric bowls, while diagonals and junctions (K, R, W, X) appear simplified and thickened to maintain consistent color. Numerals follow the same soft, blobby logic, reading best at medium-to-large sizes where the edge texture becomes a feature rather than noise.