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Free for Commercial Use

Wacky Very 9 is a very bold, wide, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, album covers, futuristic, playful, retro, techy, kinetic, attention grabbing, branding, patterned texture, sci-fi styling, logo display, stencil-like, geometric, modular, cutout, rounded.


Free for commercial use
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A geometric display face built from heavy, rounded forms that feel carved and segmented. Many glyphs feature a consistent horizontal slit/counter treatment that reads like a cutout band running through the midsection, producing strong figure–ground effects. Curves are predominantly circular and oval, while straights terminate in blunt, squared edges; joins often feel modular rather than calligraphic. The design leans on simplified skeletons, occasional stencil-like bridges, and highly stylized counters that can reduce internal openness in smaller sizes.

Best suited to short, high-impact settings such as headlines, posters, logotypes, packaging, and event or entertainment graphics where its cutout structure can be appreciated. It works well when you want a strong horizontal banding effect across words and when generous sizing preserves the distinctive internal shapes. For long passages or small UI text, the dense counters and stylization may hinder quick reading.

The overall tone is quirky and experimental, mixing space-age and mod aesthetics with a playful, toy-like rhythm. The recurring midline cutouts add a sci‑fi instrumentation feel, while the chunky geometry keeps it approachable and comic in character. It reads as attention-seeking and graphic rather than neutral or text-driven.

The design appears intended as a distinctive decorative system: a chunky geometric base unified by a signature midline cutout, optimized for memorable wordmarks and expressive display typography. The emphasis is on graphic patterning and silhouette recognition over conventional letterform clarity.

Rhythm varies noticeably from letter to letter, creating an intentionally irregular texture in words. The slit counters can visually align across a line, forming a strong horizontal emphasis that becomes part of the layout. Numerals and uppercase carry especially emblematic silhouettes, while lowercase maintains the same cutout logic for a cohesive, logo-forward color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸