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Distressed Jeso 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Perfecto' by Autographis, 'Helvetica' by Linotype, 'Arial' and 'Arial Narrow OS' by Monotype, 'Lyu Lin' by Stefan Stoychev, 'NeoGram' by The Northern Block, and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, album covers, event flyers, packaging, horror titles, grunge, handmade, rough, raw, underground, add texture, create grit, evoke printwear, boost impact, signal diy, ragged, blotchy, inked, chunky, irregular.


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A heavy, all-caps-and-lowercase display face with uneven, torn-looking contours and a noticeably blotchy texture, as if printed from worn type or brushed with thick ink. Strokes are generally stout with low modulation, while edges wobble and break into small nicks that create a gritty silhouette. Counters are compact and slightly irregular, and round forms (O, C, G, Q) appear lumpy rather than geometric. Overall spacing and rhythm feel intentionally inconsistent, giving the line a lively, distressed cadence rather than a smooth typographic flow.

Best suited to short, high-impact text such as posters, album/EP artwork, event flyers, and bold packaging callouts where texture is an asset. It also works well for title treatments in genres that benefit from grit and tension, including horror, punk, and gritty editorial sidebars, while longer body copy is better kept to larger sizes and generous spacing.

The font conveys a raw, gritty attitude with a DIY, street-level energy. Its roughened outlines and imperfect impressions suggest wear, urgency, and a hands-on process, leaning toward an edgy, alternative tone rather than refined polish.

The design appears aimed at capturing the look of worn printing or roughly inked lettering—prioritizing texture and attitude over precision. Its consistent distressing across capitals, lowercase, and figures suggests a deliberate effort to deliver a cohesive, rugged display voice for expressive branding and headline work.

Legibility remains solid at headline sizes, but the distressed perimeter and uneven joins can visually fill in at smaller sizes, especially in dense paragraphs. Numerals share the same rugged texture and slightly wobbly stance, keeping the set cohesive for emphatic, noisy typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸