Solid Gami 2 is a very bold, normal width, low contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, packaging, game ui, industrial, arcade, brutalist, playful, max impact, silhouette focus, retro tech, graphic texture, stencil-like, squared, rounded corners, notched, geometric.
A heavy, block-built display design with squared proportions, softened corners, and frequent notches and bite-like cut-ins that interrupt the outer silhouette. Counters and apertures are largely collapsed, leaving only small slits or punctures in a few letters, which creates an almost solid, tile-like texture. Stroke terminals are blunt and the forms lean on rectangular bowls, stepped joins, and occasional angular diagonals (notably in K, V, W, X, Y, Z). The lowercase echoes the uppercase structure closely, producing a compact, uniform rhythm with minimal internal detail and strong silhouette emphasis.
Best suited to large-size display settings such as posters, titles, cover art, branding marks, and packaging where its solid mass and distinctive notched silhouettes can read clearly. It also works well for retro-tech or arcade-inspired interfaces and short, punchy statements; extended small-size text will appear very dark and texture-driven due to the collapsed counters.
The overall tone feels bold, game-like, and machine-made, with a slightly mischievous edge from the irregular notches and stencil cues. It suggests retro arcade graphics, industrial signage, and punchy, attention-grabbing headlines where texture and impact matter more than conventional readability.
The design appears intended to maximize impact through near-solid letterforms and a recognizable, modular silhouette system, while adding character via stencil-like breaks and asymmetrical notches. The close relationship between uppercase and lowercase suggests a deliberate push toward a unified, emblematic wordshape rather than traditional text color.
Because many interior spaces are filled or reduced to tiny openings, letter differentiation relies heavily on outer contours and the placement of small cut-ins; this increases the sense of graphic patterning, especially in dense text. Numerals follow the same block logic, reading as chunky modules with occasional incisions rather than open forms.