Sans Superellipse Abril 2 is a regular weight, normal width, medium contrast, upright, normal x-height, monospaced font visually similar to 'CamingoCode' and 'CamingoMono' by Jan Fromm (names referenced only for comparison).
Keywords: code, ui labels, terminal, data tables, technical docs, technical, utilitarian, neutral, modern, structured, clarity, alignment, interface use, engineering aesthetic, rounded corners, boxy rounds, mechanical, even rhythm, high clarity.
This typeface is a monospaced sans with a squared, superellipse-driven construction: curves resolve into rounded-rectangle bowls and counters, and terminals tend to end in flat cuts rather than tapered strokes. Strokes are steady and consistent, producing an even texture across lines, with generous interior space in letters like O, D, and P and wide, clear apertures in forms such as C and S. The uppercase set reads compact and engineered, while the lowercase keeps a straightforward, single-storey look in characters like a and g, reinforcing a practical, system-like voice. Numerals follow the same geometric logic, with sturdy, uniform widths and crisp, legible shapes that align cleanly on the monospaced grid.
It suits code display, terminal output, and developer-facing interfaces where alignment and consistent character widths are important. The steady stroke weight and clear glyph forms also work well for UI labels, settings screens, data tables, and other dense, structured text where a controlled, uniform rhythm improves scanning.
The overall tone is functional and matter-of-fact, evoking tooling, terminals, and interface typography rather than editorial personality. Its rounded geometry adds a mild friendliness, but the dominant impression is disciplined and technical, emphasizing clarity and predictability.
The design appears intended to provide a clean, modern monospaced voice with a distinctive superellipse geometry—balancing utilitarian readability with softened corners for a more contemporary, approachable feel.
Round elements consistently feel “squarish,” with corners softened rather than fully circular, giving the design a distinctive rounded-rectangle signature. The rhythm is highly regular, and the spacing inherent to the fixed advance width makes text blocks feel orderly and grid-aligned.