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Free for Commercial Use

Sans Faceted Bedi 10 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Manufaktur' by Great Scott, 'Retrofunk' by Hendra Pratama, 'Reload' by Reserves, 'Acorna' and 'Caviara' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, industrial, arcade, military, futuristic, architectural, impact, legibility, machined look, retro-tech, octagonal, chamfered, blocky, angular, stencil-like.


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A heavy, block-built sans with sharply chamfered corners that turn curves into crisp planar facets. Strokes stay largely uniform, producing sturdy rectangular counters and a compact, squared-off silhouette across both cases. Terminals are cut flat or beveled, and joins favor hard angles over smooth transitions, giving letters a machined, modular feel. Numerals follow the same octagonal logic, with squared bowls and inset counters that emphasize the font’s dense, poster-ready color.

Best suited to short, high-impact text such as headlines, posters, logos, team or event branding, and packaging where bold geometry is an advantage. It also works well for UI labels, signage, and game-related graphics when a rugged, angular voice is desired, but its dense shapes may feel heavy in extended body copy.

The overall tone is tough and utilitarian, with a retro-digital edge that recalls arcade cabinets, industrial labeling, and equipment markings. Its angular construction reads assertive and technical, projecting strength and precision more than softness or elegance.

The design appears intended to translate a geometric, faceted construction into a robust display alphabet that stays legible while maximizing visual punch. By replacing curves with chamfers and keeping stroke weight consistent, it aims for a durable, fabricated look that holds up at large sizes and in high-contrast applications.

The faceting creates distinctive notches and internal rectangles that help maintain rhythm in all-caps settings, while the strong, dark mass can tighten apparent spacing in longer lines. The lowercase echoes the uppercase structure closely, reinforcing a uniform, engineered personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸