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Free for Commercial Use

Sans Superellipse Jimiy 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Hanley Pro' by District 62 Studio, 'Mercurial' by Grype, and 'American Auto' by Miller Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, retro, punchy, playful, sturdy, impact, approachability, modern branding, geometric consistency, display clarity, rounded, blocky, geometric, soft corners, compact.


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A heavy, geometric sans with rounded-rectangle construction and consistently softened corners. Strokes are uniform and dense, producing a compact, high-impact texture with minimal contrast. Curves resolve into broad superellipse-like bowls (notably in O, C, G, and 0), while joins and terminals stay blunt and squared-off, giving the design a blocky silhouette. Counters are relatively tight, and many forms show slightly squared interior shapes that reinforce the rounded-rect geometry. Overall spacing reads steady and modern, with a strong, poster-friendly color on the page.

Best suited to display sizes where its dense strokes and rounded geometry can read as intentional and bold—headlines, posters, labels, packaging, and logo or wordmark work. It also performs well for short UI or product-marketing callouts where a friendly, high-contrast-to-background presence is needed. For long passages at small sizes, the tight counters and heavy texture may feel compact, so it’s most effective in titles, badges, and emphasized text.

The font communicates a friendly, confident boldness—more upbeat than formal. Its softened geometry and compact rhythm evoke retro sign lettering and contemporary tech branding at the same time, creating a playful but dependable tone. The overall feel is approachable, energetic, and attention-grabbing without becoming whimsical.

The design appears intended as a strong, modern display sans built from rounded-rectangle forms to deliver maximum impact with a friendly edge. It aims for a consistent, system-like geometry and a confident, branded presence while staying approachable through softened corners and simplified shapes.

Diagonal letters maintain the same robust weight as verticals, keeping a stable, engineered look. The numeral set follows the same rounded-rect logic, with especially chunky figures and small apertures, which helps maintain a consistent dark tone in sequences. The lowercase shows simplified, sturdy constructions that prioritize clarity and impact over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸