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Free for Commercial Use

Sans Superellipse Gigur 3 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Celluloid JNL' by Jeff Levine, 'Evanston Alehouse' by Kimmy Design, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, techno, industrial, sporty, futuristic, sturdy, impact, modernity, tech feel, sturdiness, clarity, squared, rounded corners, compact, chunky, geometric.


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A heavy, geometric sans built from squared forms with generously rounded corners. Curves resolve into superellipse-like bowls and counters, producing a consistent rounded-rectangle rhythm across letters and figures. Strokes are uniform and blocky, with mostly flat terminals, tight apertures, and compact interior spaces that emphasize mass and impact. The overall silhouette favors broad shoulders and squared joins, giving text a dense, poster-like texture while maintaining clean, engineered contours.

Best suited for headlines, posters, and display typography where its dense shapes and rounded-square construction can read as a deliberate style. It also fits branding and packaging that aim for a technical, sporty, or industrial voice, especially in logos, badges, and short taglines where weight and silhouette do most of the work.

The design reads as modern and utilitarian, with a confident, no-nonsense presence. Its rounded-square geometry suggests a techno/industrial sensibility—friendly at the corners but decidedly mechanical in structure. The tone feels sporty and performance-oriented, suited to bold statements rather than subtle nuance.

The font appears designed to merge hard-edged geometric structure with softened corners for a contemporary, engineered look. Its consistent rounded-rectangle language suggests an intention toward strong, high-impact display use while keeping an approachable, polished finish.

Counters tend to be rectangular or squarish, reinforcing the constructed feel, and the numerals follow the same softened-box logic for strong visual continuity. The lowercase maintains the same angular framework, keeping the overall color very even and emphatic in lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸