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Sans Superellipse Mamek 7 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Bourgeois Rounded' by Barnbrook Fonts, 'Moldr' and 'Moldr Thai' by Deltatype, 'Panton Rust' by Fontfabric, and 'Mesquin' by MuSan (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logos, playful, friendly, chunky, retro, soft, impact, approachability, retro flavor, geometric cohesion, display voice, rounded, blobby, compact, sturdy, geometric.


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This typeface is built from heavily rounded, superellipse-like shapes with broad stems and soft corners throughout. Curves and straight segments transition smoothly, producing squarish counters in letters like O, D, and P and a consistently cushioned silhouette. Openings and apertures are relatively tight, terminals are fully rounded, and interior spaces stay clean but compact, giving the design a dense, poster-like color. Lowercase forms remain simple and robust, with single-storey a and g, a broad-shouldered m, and a short, blocky t; numerals follow the same rounded-rectangle logic with wide, stable forms.

It performs best in display contexts such as headlines, posters, packaging, and bold brand moments where its rounded mass and squarish curves can dominate the page. It is also well-suited to logos and short wordmarks that benefit from a friendly, chunky silhouette and strong geometric cohesion.

The overall tone is upbeat and approachable, with a toy-like softness that feels fun rather than formal. Its thick, rounded geometry also lends a confident, sturdy presence that reads as modern-retro and slightly futuristic, especially at large sizes.

The font appears designed to deliver maximum impact with soft, rounded geometry—combining a playful, approachable voice with a solid, contemporary structure. Its consistent superellipse construction suggests an intention to create a distinctive, highly recognizable display style that stays coherent across caps, lowercase, and numerals.

The design maintains a highly consistent corner radius and stroke feel across letters and figures, emphasizing uniformity and a smooth rhythm. Wide proportions and compact counters make it most effective where strong silhouette recognition matters, while smaller settings may feel visually dense due to the tight internal spaces.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸