Serif Other Opbak 10 is a very light, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, magazine covers, branding, packaging, posters, elegant, editorial, dramatic, refined, modernist, luxury voice, display impact, editorial tone, stylized classicism, brand distinction, hairline serifs, calligraphic, sharp terminals, sculptural, high-waisted.
This typeface is a high-contrast serif with hairline connective strokes and pronounced wedge-like serifs that often taper into sharp, knife-edge terminals. Curves are drawn with a smooth, calligraphic tension while many verticals feel chiseled, producing a crisp thick–thin rhythm and a distinctly sculptural silhouette. Proportions lean narrow-to-moderate with generous counters, and several glyphs show stylized construction—such as pointed joins, sweeping tails, and occasional ornamental entry/exit strokes—giving the set an intentionally expressive, display-forward texture. Numerals echo the same contrast and finesse, with elegant curves and delicate hairlines that suit larger sizes.
Best suited for headlines and short editorial settings where its high contrast and sharp detailing can be appreciated. It works well for branding and packaging in luxury, beauty, fashion, and boutique hospitality contexts, and can add a refined, dramatic voice to posters, invitations, and title treatments.
The overall tone is elegant and dramatic, with a fashion/editorial polish and a slightly theatrical, boutique feel. Its sharp serifs and refined hairlines create a sense of luxury and precision, while the stylized details add personality and a contemporary edge.
The design appears intended to deliver a luxe, high-fashion serif voice by combining hairline delicacy with strong vertical emphasis and stylized, sculpted terminals. It prioritizes striking silhouettes and a memorable texture over purely neutral readability, making it a deliberate choice for display typography.
In the text sample, the thin strokes and fine serifs read best when given ample size and clean reproduction; the design’s character comes through most strongly in capitals and in letterforms with long curves and terminals (such as Q, R, S, and y). The rhythm is consistent, but the construction is intentionally distinctive rather than purely traditional, making it feel curated and expressive.