Sans Normal Ofbuj 22 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Argile Fusion' by Art Grootfontein, 'Basecoat' by Jonathan Ball, 'Brunches' by Trustha, 'Fozzy' by VladB, and 'Glonimove' by Zamjump (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, contemporary, approachable, impact, approachability, modernity, simplicity, cheerfulness, rounded, soft-cornered, chunky, compact, geometric.
A heavy, rounded sans with broad, smooth curves and softly blunted terminals that give the forms a sculpted, friendly silhouette. Strokes are consistently thick with minimal modulation, and counters tend toward circular and slightly condensed shapes that keep letters compact and punchy. The lowercase shows a single-storey “a” and “g,” circular i-dots, and generally short, sturdy extenders, while capitals sit solidly with wide bowls and closed apertures (notably in C/S). Numerals are equally weighty and rounded, with simple, readable forms and a prominent circular “0.”
Well-suited to headlines, posters, and brand marks that need immediate impact with a friendly voice. Its chunky, rounded construction also works well for packaging, storefront/signage, and social graphics where bold legibility and a contemporary, approachable tone are priorities.
The overall tone is upbeat and approachable, balancing bold presence with a warm, non-aggressive softness. It feels modern and friendly, with a playful, slightly bubbly character that remains confident and legible at display sizes.
This design appears intended to deliver maximum visibility and warmth through simplified geometry, round counters, and softened terminals. The goal seems to be a bold, modern sans that feels inviting and playful while maintaining clean, straightforward letterforms for clear display communication.
The tight internal spaces and relatively closed shapes create strong color and impact, but can make dense settings feel darker at small sizes. The design reads best when given generous spacing and room to breathe, where its rounded geometry and sturdy rhythm become most apparent.