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Free for Commercial Use

Serif Forked/Spurred Duke 2 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Belle Sans' by Park Street Studio (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, signage, vintage, western, circus, playful, rustic, attention grabbing, retro signage, expressive branding, decorative display, ornate, spurred, bracketed, ball terminals, swashy.


Free for commercial use
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A very heavy, italicized serif with soft, rounded joins and prominent bracketed serifs that frequently split into forked, spurred terminals. Strokes are thick and sculpted, with moderate contrast and teardrop/ball-like ends appearing in several glyphs, giving the counters a carved, almost stamped feel. Curves are generous and slightly irregular in rhythm, while the slant and varied character widths create a lively, forward-leaning texture in words. Numerals and capitals carry the same chunky, ornamented construction, maintaining strong color at display sizes.

Best suited to display applications such as posters, event titles, brand marks, packaging labels, and storefront or wayfinding-style signage where the heavy strokes and ornate terminals can be appreciated. It can work for short emphatic lines and pull quotes, but the dense, embellished forms make it less ideal for long text at small sizes.

The overall tone feels theatrical and old-fashioned, evoking frontier posters, saloon signage, and circus-era display typography. Its exaggerated weight and decorative spurs read as confident and showy, with a friendly, slightly mischievous warmth rather than strict formality.

The font appears intended as a bold, attention-grabbing display serif that blends traditional serif structure with decorative, forked spurs to suggest a vintage showbill or western-inspired identity. Its goal is strong visual presence and characterful branding rather than quiet readability.

The design’s distinctive spurs and occasional ball/teardrop terminals add sparkle at large sizes but can create dense interior shapes in smaller settings. The italic angle is consistent and contributes to a dynamic, headline-first personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸