Sans Superellipse Poleh 6 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Gala' by Canada Type, 'Loftie' by Gerald Gallo, and 'Robson' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, retro, assertive, compressed, playful, impact, distinctiveness, compactness, retro display, rounded, vertical, compact, chunky, high-contrast joins.
A compact, tightly set sans with tall proportions and a strongly vertical stance. Strokes are consistently heavy and largely uniform, with rounded-rectangle counters and softened terminals that keep the forms smooth despite the dense weight. Curves in letters like C, O, and S resolve into squarish, superelliptical shapes, while joins and notches (notably in M, W, and some diagonals) create crisp internal angles and a slightly cut-in, engineered rhythm. The lowercase shows a single-storey a and g, narrow bowls, and small, controlled apertures, maintaining an even, poster-like texture across text.
Best suited to short, high-impact settings such as headlines, posters, wordmarks, and packaging where its condensed weight can build strong visual presence. It can also work for signage or labels when sizes are generous, allowing the tight apertures and compact counters to stay clear.
The overall tone feels bold and industrial with a retro display flavor—confident, condensed, and attention-grabbing. Rounded corners and stylized notches add a quirky, crafted edge that reads as both playful and authoritative, suitable for punchy headlines that want to feel designed rather than purely utilitarian.
The design appears intended as a display sans that combines superelliptical roundness with condensed, heavy strokes for maximum punch. Its consistent geometry and stylized joins suggest a focus on distinctive, repeatable shapes that create a recognizable texture in branding and titling.
In text settings the dense color and narrow widths create a strong vertical cadence, with distinctive silhouettes on M/W and the single-storey lowercase forms. Numerals follow the same rounded-rect geometry, keeping headings and labeling visually consistent.