Sans Faceted Ompu 7 is a light, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, game ui, packaging, techno, futuristic, architectural, game-like, digital, sci-fi styling, geometric branding, display impact, constructed forms, angular, faceted, geometric, chamfered, polygonal.
A sharply angular, faceted sans with monoline strokes and consistent, crisp joins. Curves are replaced by planar segments and chamfered corners, producing hexagonal and octagonal suggestions in round forms like O and Q. Proportions are compact and tidy, with slightly condensed inner counters and a rhythmic zig-zag of diagonals across letters such as N, K, W, and Z. Uppercase has a constructed, sign-like rigidity, while lowercase keeps the same polygonal logic with simplified, single-storey forms and pointed terminals; numerals follow suit with segmented, straight-edged outlines.
Best suited to display settings where its angular construction can be a primary visual cue—headlines, posters, branding marks, and entertainment or technology-facing graphics. It can also work for short UI labels or in-game/interface typography where a sci‑fi or geometric theme is desired, while longer text is likely most effective at larger sizes with comfortable spacing.
The overall tone is futuristic and technical, evoking sci‑fi interfaces, retro arcade aesthetics, and engineered lettering. Its faceted geometry feels precise and synthetic, with a crisp, schematic personality that reads as modern and slightly edgy.
The font appears designed to translate a geometric, faceted concept into a full alphanumeric set, prioritizing sharp silhouettes and a consistent planar rhythm over rounded friendliness. The intention seems to be a distinctive display face that communicates a constructed, high-tech mood with strong shape repetition and modular-looking strokes.
The design relies on repeated angles and consistent corner treatments, which creates strong stylistic cohesion across uppercase, lowercase, and numerals. The segmented construction is most apparent in round letters and the numerals (notably 0, 2, 3, 6, 8, 9), where the planar edges establish a distinctive, emblematic silhouette.