Sans Normal Kedum 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'CA Zentrum' by Cape Arcona Type Foundry, 'Glancyr Neue' by Drizy Font, 'Asket' by Glen Jan, 'Kommon Grotesk' by TypeK, and 'Falena' by Typoforge Studio (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, confident, contemporary, friendly, motion, impact, modernity, emphasis, clarity, slanted, rounded, compact, sturdy, punchy.
A heavy, right-slanted sans with compact proportions and smooth, rounded curves. Strokes are consistently thick with minimal contrast, and terminals are clean and blunt, giving the shapes a sturdy, simplified feel. Counters are moderately open and the overall rhythm is tight, with several letters showing subtly condensed bowls and slightly squared-off joins that keep the texture dense and impactful. Numerals and capitals follow the same strong, streamlined construction for a unified set.
Performs best in short, prominent settings such as headlines, posters, hero text, and brand marks where a strong, energetic texture is desired. It also suits sports and lifestyle graphics, packaging callouts, and promotional materials, and can work for compact subheads where a bold, slanted emphasis is needed.
The tone is assertive and energetic, with a forward-leaning stance that reads fast and active. Its rounded geometry keeps it approachable, while the dense weight and compact spacing add a confident, punchy voice suited to attention-grabbing typography.
Likely designed to deliver a modern, high-impact voice with a forward-leaning sense of motion while retaining friendly, rounded shapes for broad appeal. The construction emphasizes uniformity and legibility at display sizes, creating a dense, confident typographic color that stands out in contemporary branding and advertising contexts.
The slant is consistent across cases and figures, producing a clear directional flow. Round letters like O/C/G are smooth and full, while diagonals and joins (e.g., K, M, N, V, W, X) feel engineered and stable rather than calligraphic. The overall silhouette stays clean and modern, prioritizing impact and clarity over delicacy.