Print Wigop 11 is a regular weight, very narrow, high contrast, italic, very short x-height font.
Keywords: branding, invitations, packaging, headlines, quotes, elegant, romantic, vintage, lively, refined, handwritten elegance, decorative display, personal warmth, classic charm, calligraphic, looping, slanted, flowing, swashy.
A slanted, calligraphic print with a pen-written rhythm and crisp stroke modulation. Letterforms are narrow and vertically economical, with a low x-height and comparatively tall ascenders/descenders that give lines a graceful, airy texture. Strokes move between hairline connectors and firmer downstrokes, with pointed entries and tapered terminals; many capitals and select lowercase show looped construction and occasional swash-like turns. Spacing is tight and lively, and the overall texture reads as energetic rather than rigidly geometric.
Works best in display roles such as logos, boutique branding, invitations, greeting cards, and packaging where a handwritten elegance is desirable. It can also suit short headlines or pull quotes, especially at moderate-to-large sizes where the loops and contrast have room to breathe. For extended text, larger sizes and generous line spacing will help maintain clarity.
The tone is polished and expressive, blending a classic handwritten feel with a light, theatrical flair. It suggests romance and old-world charm while staying legible enough to feel personable and inviting. The high-contrast, penlike movement adds a sense of motion and sophistication.
The design appears intended to emulate a swift, practiced pen hand with decorative capitals and a refined contrast pattern, offering a stylish alternative to connected scripts while preserving a handwritten personality. It prioritizes flair and rhythm for expressive display typography over neutral, utilitarian reading texture.
Capitals are notably ornamental, with prominent loops and curved joins that can become focal points in short phrases. Numerals follow the same handwritten logic with simple, tapered forms and occasional curved foot strokes, keeping the set visually consistent. The narrow proportions and low x-height can make long passages feel dense, especially where tight counters and looped details accumulate.