Cursive Burul 1 is a regular weight, very narrow, medium contrast, italic, very short x-height font.
Keywords: branding, posters, packaging, social media, invitations, casual, playful, expressive, vintage, handcrafted, handwritten feel, brush realism, friendly tone, display impact, brushy, looping, bouncy, slanted, textured.
A lively brush-script with a consistent rightward slant and visibly tapered strokes that mimic a flexible pen or brush. Letterforms show medium stroke modulation, with rounded terminals, occasional ink-like thickening at turns, and a slightly textured edge that reads as hand-rendered rather than mechanically smooth. Proportions are compact with tall ascenders/descenders and a small lowercase body, creating a vertical, rhythmic silhouette; spacing and widths vary naturally from glyph to glyph, reinforcing an informal handwritten flow. Uppercase forms are more display-oriented and flourishy, while lowercase stays legible through clear counters and distinct loop structures.
It performs best in short to medium-length text where the brushy character and animated capitals can be appreciated—logos, product packaging, posters, menus, and social graphics. It can also work for invitations, greeting cards, and pull quotes where an informal, handcrafted tone is desired.
The font feels personable and upbeat, like quick signage lettering or a confident note written with a brush pen. Its springy rhythm and looping forms give it a friendly, slightly nostalgic charm while staying energetic and attention-getting.
The design appears intended to capture the spontaneity of brush-pen handwriting with a tidy, repeatable rhythm for display typography. It emphasizes expressive capitals, lively movement, and natural variation to deliver a handcrafted look that remains broadly legible in common headline uses.
Joins between letters appear selective rather than fully continuous, helping word shapes remain readable while still conveying cursive motion. Numerals follow the same brushy, slanted logic and look suited to headlines rather than dense tables.