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Free for Commercial Use

Sans Normal Udmop 5 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Skeena' by Microsoft Corporation (names referenced only for comparison).

Keywords: headlines, branding, posters, book covers, magazine titles, authoritative, formal, classic, editorial, confident, impact, heritage, prestige, clarity, sculpted, bracketed, tapered, sharp, crisp.


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A sturdy, high-contrast roman with sculpted curves and tapered stroke endings. The letterforms show pronounced thick–thin modulation, rounded bowls, and crisp terminals, with moderate stroke bracketing that gives joins a carved, slightly calligraphic feel. Proportions are generally compact with a steady rhythm and clear counters; curves feel smooth and controlled, while diagonals and peaks (as in V/W/Y) stay sharp and well defined. Numerals follow the same contrast and have a traditional, set-like stance with open shapes and strong vertical emphasis.

Best suited to headlines and short-form typography where its contrast and sculpted terminals can be appreciated. It can also work for branding, packaging, and editorial titling, especially when a classic, authoritative tone is desired. For long text, larger sizes and generous leading help preserve readability and reduce the intensity of the thick–thin rhythm.

The overall tone reads confident and traditional, with an editorial seriousness that feels established rather than trendy. Its sharp contrast and sculpted details add a touch of sophistication, suggesting a voice suited to institutions, publishing, or heritage-leaning branding.

The design appears intended to deliver a traditional, high-contrast voice with strong presence, balancing crisp, modern cleanliness with classic roman detailing. Its consistent modulation and careful curves suggest a focus on impactful display use while remaining orderly enough for refined editorial applications.

At display sizes the tapered terminals and contrast create a vivid, engraved impression; in smaller settings those same details can become visually busy, so spacing and size choices will strongly influence clarity. The shapes keep a consistent, disciplined texture across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸