Sans Normal Olmab 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Conamore' by Grida, 'Multiple' by Latinotype, 'Malebu' by Macrotipo, 'MC Qiluant' by Maulana Creative, 'Malebu' by Muykyta, 'Clear Sans Text' by Positype, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, modern, confident, approachable, clean, impact, clarity, approachability, modernity, simplicity, rounded, soft corners, geometric, chunky, compact.
A heavy, geometric sans with broadly rounded bowls and softened joins that keep the texture smooth despite the dense strokes. Circles and near-circles dominate (notably in O, Q, 0, 8), while terminals tend toward clean, slightly rounded cuts rather than sharp points. Proportions feel compact with sturdy verticals, open counters, and simple, highly regular construction; the lowercase uses single-storey a and g, reinforcing a contemporary, simplified voice. Numerals are wide and robust, with the 1 rendered as a plain vertical and the 2 and 3 built from generous curves and flat-ish endings.
Well-suited for headlines, brand marks, packaging, and signage where a strong, friendly sans is needed. It also works for UI labels and short text blocks when generous spacing is available, benefiting from its clear counters and straightforward letterforms.
The overall tone is friendly and contemporary, with a confident, no-nonsense presence. Its rounded geometry and simplified lowercase forms give it an approachable, slightly playful character without becoming informal or quirky.
Likely designed to deliver a contemporary, approachable sans voice with sturdy geometry and simple constructions that reproduce reliably across sizes. The emphasis appears to be on punchy visibility and a smooth, rounded texture for modern display and brand applications.
The type shows consistent curvature and stroke endings across uppercase, lowercase, and figures, producing an even, solid typographic color. The wide, circular forms and large counters help maintain clarity at larger display sizes, while the compact rhythm can look dense in longer passages if set tightly.