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Inline Agpa 2 is a regular weight, narrow, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, victorian, theatrical, gothic, circus, antique, decoration, vintage feel, engraved effect, poster impact, branding, decorative, ornate, engraved, dramatic, tapered.


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A decorative serif with tall, narrow proportions and pronounced stroke contrast. Each letterform is built from sharp wedge-like serifs and tapered terminals, with a carved inline channel running through the main strokes that creates a split, engraved look. Curves are tight and slightly pinched, counters are compact, and the overall rhythm is vertical and display-driven; some capitals (notably round forms) feel wider and more sculptural while many stems stay slender and columnar. Numerals follow the same high-contrast, inline-cut construction, reading as elegant but attention-seeking rather than utilitarian.

Best suited for display settings such as posters, event titles, headlines, labels, and brand marks where the inline carving can read clearly. It works particularly well for vintage-leaning identities—spirits, apothecary-style packaging, theatrical promotions, and boutique signage—rather than body copy or small UI text.

The font projects an antique showcard energy—dramatic, ceremonial, and slightly gothic. The inline detailing reads like engraving or carved signage, giving it a theatrical, vintage flair that feels at home in poster traditions and period-themed branding.

The design appears intended to deliver a classic, engraved display voice by combining high-contrast serif construction with a consistent inline incision. The goal is to add dimensionality and ornament in a single weight, producing a bold, decorative texture that evokes historic lettering and showy print ephemera.

The inline treatment is consistently integrated into both straight stems and curved bowls, creating bright interior highlights that remain visible even in dense letter clusters. The design favors striking silhouettes and interior sparkle over long-text neutrality, and it benefits from generous size and spacing to keep the internal cut lines from visually filling in.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸