Sans Superellipse Etkop 6 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Midsole' by Grype (names referenced only for comparison).
Keywords: headlines, branding, sportswear, posters, interfaces, sporty, techy, dynamic, futuristic, confident, speed, impact, modernity, streamlining, precision, oblique, rounded corners, squared curves, tightly spaced, angular terminals.
A slanted, geometric sans built from squared curves and rounded-rectangle bowls, giving counters and outer shapes a superelliptical feel. Strokes are heavy and even, with minimal modulation, and many joins and terminals resolve into crisp angled cuts rather than fully rounded ends. Proportions skew slightly condensed with a forward-leaning stance, while letterforms maintain consistent curvature and corner radii across the set. Numerals follow the same squared-round construction, with compact shapes and clean, clipped terminals that keep the rhythm tight in lines of text.
This font performs best in display settings such as headlines, posters, product branding, and sports or automotive-style graphics where its slant and squared-round forms can read clearly at larger sizes. It can also work for short UI labels and navigation elements when a performance-forward, engineered tone is desired, especially where compact, energetic letterforms help conserve space.
The overall tone is fast, assertive, and modern, with a trackside or equipment-label energy. Its oblique posture and squared curves read as engineered and performance-oriented rather than friendly or handwritten. The look feels suited to contemporary tech and sport contexts where speed and precision are part of the message.
The design appears intended to merge a geometric sans foundation with a rounded-rectangle skeleton and a consistent oblique stance, emphasizing speed and streamlined clarity. Its uniform stroke weight and clipped terminals suggest a focus on impact and legibility in bold, contemporary applications rather than delicate typographic texture.
Round letters like O/Q and the bowls in B/P/R show a pronounced rounded-rectangle geometry, while diagonals (A, K, V, W, X, Y) are sharp and energetic. The italic angle is consistent across capitals, lowercase, and figures, producing a cohesive forward motion in longer passages. The ampersand matches the same angular, streamlined construction, helping punctuation feel integrated rather than decorative.