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Free for Commercial Use

Sans Other Akmi 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Vilanders' by Edignwn Type, 'Knicknack' by Great Scott, 'Lyu Lin' by Stefan Stoychev, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, packaging, headlines, brand marks, kids media, playful, hand-cut, posterish, whimsical, retro, handmade feel, high impact, character display, retro flavor, chunky, irregular, angular, chiseled, blobby.


Free for commercial use
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A chunky, irregular sans with dense, blocky silhouettes and subtly faceted edges that feel hand-cut rather than mechanically drawn. Strokes maintain a generally even thickness with minimal contrast, while terminals skew toward blunt, slightly angled finishes. Curves are simplified into rounded-then-notched forms, producing a lively, uneven contour and an intentionally wobbly rhythm across words. Counters are compact and sometimes off-center, and the overall spacing reads moderately tight, emphasizing mass and texture over precision.

Best suited for short-form display work such as posters, packaging callouts, event flyers, and bold editorial headlines where personality and immediacy matter. It can also work for logo-type and playful branding, especially when paired with a quieter text face for body copy.

The letterforms project a humorous, mischievous energy—more craft and personality than neutrality. Its roughened geometry suggests DIY signage, cartoon title cards, or a spooky-fun tone without leaning into ornate horror tropes.

The design appears aimed at delivering maximum visual punch with a deliberately imperfect, handcrafted texture. Its simplified construction and exaggerated weight suggest an intention to create a friendly, characterful display sans that stands out quickly and adds narrative tone to a layout.

In text, the uneven edge treatment creates a strong pattern and visual noise that becomes part of the look; it benefits from generous tracking and larger sizes where the quirky shaping can read clearly. Numerals share the same bulky, cut-paper character, with simplified internal shapes that prioritize impact over fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸