Outline Ipzo 3 is a regular weight, normal width, low contrast, reverse italic, normal x-height font.
Keywords: posters, headlines, logos, packaging, game ui, retro, techy, playful, arcade, futuristic, display impact, retro futurism, neon outline, quirky tech, outline, monoline, angular, squared, slanted.
A slanted, monoline outline design built from squared-off curves and chamfered corners, with a consistent double-line contour that creates a hollow interior. Strokes maintain an even thickness and low contrast, while terminals tend to be blunt and geometric. The letterforms lean back with a steady diagonal rhythm, and the overall construction favors straight segments, right angles, and rounded-rectangle counters over smooth continuous curves. Spacing reads moderately open in the sample, and the outline structure remains clear at display sizes, with occasional compact internal shapes that increase visual density in some glyphs.
Best suited to display applications such as posters, headings, logos, title cards, and branding where the outlined construction can read clearly and contribute character. It also fits game-related graphics, tech-themed event materials, and packaging accents. For small sizes or dense paragraphs, the interior openings and doubled contours may become busy, so larger setting and simpler layouts will perform better.
The font projects a retro-tech, arcade-like energy with a playful, slightly quirky slant. Its outlined, neon-sign feel and boxy geometry evoke sci‑fi interfaces, vintage game graphics, and engineered lettering. The irregularities in internal detailing add a hand-drawn edge that keeps the tone informal rather than strictly industrial.
The design appears intended to deliver a distinctive outlined, back-slanted geometric voice that feels like a neon or wireframe interpretation of a sans. It prioritizes visual character and motion over strict text neutrality, aiming for high recognizability in short phrases and prominent display settings.
The outline is the dominant visual feature, so the perceived weight is driven by contour thickness rather than filled strokes. In longer text, the hollow construction produces a lively texture and can emphasize sparkle and motion, especially when used with generous size and line spacing.