Sans Other Lonos 3 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, signage, packaging, industrial, military, techno, stencil, poster, impact, stencil cue, tech aesthetic, industrial branding, modular design, modular, angular, notched, condensed, mechanical.
A heavy, geometric sans built from blocky, rectilinear strokes with frequent cut-ins and notches that create a segmented, stencil-like construction. Corners are predominantly squared with occasional clipped angles, and many forms show internal gaps or interrupted joins that emphasize a modular, engineered feel. Curves are minimized and, where present (such as in C/O-like shapes), they read as squarish arcs rather than smooth bowls. Spacing and widths vary noticeably by character, giving the texture a punchy, irregular rhythm while maintaining consistent stroke thickness and strong vertical stress.
This design is best suited to display settings such as headlines, posters, logotypes, and branded graphics where a strong, industrial voice is desired. It can also work for signage-style compositions and packaging that benefit from a stencil/label aesthetic, especially at medium-to-large sizes where the internal cut details remain clear.
The overall tone is assertive and utilitarian, evoking industrial labeling, tactical signage, and sci‑fi interface typography. The broken, slotted details add a coded or manufactured character, making the font feel technical and commanding rather than friendly or conversational.
The letterforms appear designed to deliver maximum impact through bold massing while differentiating characters with systematic notches and breaks. The construction suggests an intention to reference stencil marking and modular fabrication, creating a distinctive techno-industrial identity for display typography.
The notched interruptions reduce interior openness in several letters, which increases visual density and strengthens the stencil impression. The distinctive segmented details become more prominent at larger sizes, where the cut geometry reads as an intentional motif rather than texture.