Print Agnef 2 is a regular weight, normal width, medium contrast, italic, short x-height font.
Keywords: branding, packaging, posters, social media, headlines, casual, friendly, playful, handmade, lively, human touch, casual note, expressiveness, approachability, display accent, brushy, monolinear, slanted, loose, rounded.
A lively handwritten print with a consistent rightward slant and brush-pen stroke behavior. Letterforms are mostly unconnected, with rounded terminals, soft corners, and occasional tapered starts/finishes that suggest quick, pressure-driven drawing. Proportions are compact in the lowercase, with a relatively small x-height and long, expressive ascenders and descenders that add vertical rhythm. Spacing feels natural and slightly irregular, while the overall texture remains coherent and readable in words and lines.
Well suited to branding accents, packaging callouts, posters, and social graphics where a friendly handwritten voice is desired. It works especially well for headlines, short blurbs, invitations, and labeling, and can add a human touch to quotes or product names. For long-form text, it’s best used sparingly as an accent due to its strong slant and lively rhythm.
The tone is informal and personable, like neat marker lettering used for notes, labels, and casual headlines. Its energetic slant and slightly bouncy shapes create an approachable, upbeat voice without feeling overly chaotic. The overall impression is friendly and conversational, with a handmade charm suited to warm, human communication.
The design appears intended to capture quick, legible brush lettering in an unconnected print style, balancing everyday readability with expressive, hand-drawn character. It aims to feel personal and informal while remaining consistent enough for repeated use across titles and short messages.
Several glyphs show distinctive handwritten idiosyncrasies—looping strokes, simplified bowls, and open counters—producing a varied, organic word shape. Numerals follow the same quick, pen-drawn logic, keeping the set visually unified in mixed text. The italics-like slant and dynamic stroke endings make it stand out most at display sizes and short passages rather than dense body copy.