Print Hakuh 2 is a regular weight, normal width, low contrast, upright, short x-height font.
Keywords: kids, packaging, posters, social, invitations, friendly, playful, casual, handmade, approachable, human touch, casual voice, cheerful tone, quick note, display charm, rounded, brushy, bouncy, loose, organic.
A casual, hand-drawn print with rounded forms, soft terminals, and gently irregular stroke edges that suggest a marker or brush pen. Letterforms are mostly upright with a lively baseline bounce and uneven rhythm, creating a natural, non-mechanical texture across words. Counters tend to be open and simple, with single-storey lowercase shapes and a compact lowercase presence that makes capitals feel prominent in mixed settings. Overall proportions vary slightly from glyph to glyph, reinforcing the drawn-by-hand character without becoming chaotic.
This font works well for kid-focused materials, informal branding, packaging callouts, and friendly posters where a handmade voice is desirable. It also suits social graphics, greeting cards, invitations, labels, and short headlines where character and warmth matter more than typographic neutrality.
The tone is warm and informal, with a cheerful, sketchbook energy that reads as personable and conversational. Its imperfect, human cadence feels relaxed and inviting, suited to messages that benefit from a light, friendly voice.
The design appears intended to capture the immediacy of quick handwriting—simple printed forms, rounded strokes, and a slightly bouncy rhythm—while staying legible enough for everyday display use. It prioritizes personality and a human touch, offering a casual tone that feels spontaneous rather than constructed.
Uppercase characters are broad and straightforward, while lowercase includes distinctive, simplified gestures (such as looped descenders and open apertures) that keep the texture airy. Numerals follow the same handwritten logic with rounded shapes and slight width variation, helping them blend naturally into casual text. The lively spacing and stroke wobble become more noticeable in longer passages, where the font’s personality is a dominant feature.