Outline Ofry 1 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, sports branding, technical, retro, sporty, modular, clean, display impact, systematic design, modern signage, branding voice, rounded, monoline, outlined, geometric, squareish.
A monoline outline face built from rounded-rectangle geometry, with consistent corner radii and largely uniform stroke thickness throughout. Curves are simplified into squarish bowls and softened terminals, giving letters a modular, engineered feel. Counters are generous and open, and joins are tidy and even, producing a steady rhythm across capitals, lowercase, and numerals. Diacritics and punctuation in the sample inherit the same outlined construction, keeping texture airy while maintaining clear silhouettes at display sizes.
Best suited to large-scale settings where the outline can stay crisp: headlines, posters, branding marks, labels, and titles for tech or sports-adjacent projects. It can also work for UI badges or short callouts when given sufficient size and contrast, but the open outline construction is less suited to dense body text.
The overall tone feels technical and sporty, with a subtle retro-futurist flavor reminiscent of signage, game UI, and equipment labeling. Its hollow construction reads light and modern, while the rounded corners keep it approachable rather than severe.
The design appears intended to deliver a lightweight, space-efficient display voice with a consistent rounded-rectilinear system, prioritizing clarity of silhouette and a contemporary, engineered character. The outlined construction suggests an emphasis on layering, color treatments, and punchy, high-contrast layouts.
Distinctive features include the chamfer-like internal shaping on angled forms (notably in K, V, W, X, Y) and the consistently softened rectangular structure across round letters (C, O, Q). The outline-only design makes interior spacing and background color a major part of the perceived weight, so contrast against the backdrop becomes a key stylistic lever.