Sans Normal Uhmib 11 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Epoca Classic' by Hoftype; 'Norma' by Linotype; 'Koning Display' by LucasFonts; 'Skeena' by Microsoft Corporation; 'Mosquito', 'Mosquito Formal', and 'Ocean Sans' by Monotype; 'Artigua' by Picador; and 'Newbery Sans Pro' by Sudtipos (names referenced only for comparison).
Keywords: ui text, editorial, branding, signage, presentations, clean, modern, neutral, friendly, pragmatic, everyday legibility, modern utility, brand neutrality, ui clarity, humanist, open apertures, soft curves, even rhythm, generous counters.
A clean sans with softly rounded curves and a gently humanist construction. Strokes are fairly even with subtle modulation, and terminals are mostly straight, producing crisp joins and a controlled, contemporary texture. Uppercase forms read broad and open (notably in C, G, and S), while the lowercase shows a simple, single-storey a and g with generous counters and clear internal space. Figures are straightforward and highly legible, with open shapes and balanced proportions that keep text color steady across lines.
It performs well in UI and product copy where clarity at varied sizes is important, and it also suits editorial layouts that need a steady, unobtrusive sans for headings and body text. The open forms and clean numerals make it a solid choice for signage, dashboards, and data-adjacent applications, while its friendly neutrality can support contemporary brand systems.
The overall tone is neutral and approachable, leaning more practical than expressive. Its restrained shapes and open forms give it a calm, modern voice that feels suitable for everyday communication and product-focused design.
The font appears designed to be a versatile, general-purpose sans that prioritizes legibility and an even reading texture. Its humanist touches and open counters suggest an intention to feel approachable while remaining clean and systematic for broad use.
In paragraph settings the spacing and proportions create an even, readable rhythm, with clear differentiation between similar shapes (for example, I/l and 0/O remain distinct through proportion and detailing). The design favors clarity over stylization, maintaining consistent geometry across the set.