Cursive Atraz 2 is a regular weight, very narrow, high contrast, italic, very short x-height font.
Keywords: greeting cards, social posts, packaging, quotes, invitations, friendly, casual, playful, personal, airy, handwritten warmth, expressive script, casual branding, friendly display, looping, brushy, upright-leaning, bouncy, monoline-ish.
A lively handwritten script with a brisk, rightward slant and a brush-pen feel. Strokes show clear contrast between thicker downstrokes and lighter hairlines, with rounded terminals and occasional tapered entries/exits. Letterforms are narrow and tall, with small lowercase bodies, long ascenders and descenders, and generous internal loops (notably in letters like g, y, and z). Spacing feels naturally irregular in a way that mimics handwriting, and the overall rhythm is bouncy rather than strictly uniform.
Well-suited for greeting cards, invitations, social media graphics, and packaging that benefits from a personal, hand-lettered tone. It works especially well for short headlines, pull quotes, and name-like text where the tall, looping forms can shine. For longer passages, larger sizes and comfortable line spacing help maintain clarity and avoid collisions from the long extenders.
The font reads as warm and approachable, like a quick note or a hand-lettered caption. Its looping forms and light, airy joins give it a playful tone while still staying legible in short phrases. The energetic slant and tall proportions add a spirited, upbeat character.
Designed to capture an informal cursive handwriting look with brush-like contrast and expressive loops. The narrow, tall proportions and energetic slant appear intended to create a light, animated texture that feels human and spontaneous rather than typographically rigid.
Capitals are simplified and open, pairing smoothly with the lowercase without becoming overly formal. Several lowercase letters use single-storey, handwritten constructions and long, expressive descenders, which can add personality but may require a bit of vertical breathing room in tighter layouts. Numerals follow the same hand-drawn logic, with rounded shapes and gentle stroke modulation.