Print Mudir 6 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: children’s, posters, packaging, greeting cards, craft branding, playful, friendly, casual, whimsical, approachable, handmade feel, friendly clarity, informal display, approachability, rounded, bouncy, monoline, soft terminals, hand-drawn.
A casual hand-drawn print face with rounded forms, soft terminals, and a mostly monoline stroke that gently wobbles like marker or brush-pen lettering. Curves are generous and slightly asymmetrical, with open counters and simplified construction that keeps shapes readable. Proportions vary a bit from glyph to glyph, creating a lively rhythm; widths are not strictly uniform, and some letters feel more condensed or expanded depending on their structure. Overall spacing appears loose and comfortable, supporting easy reading at larger sizes.
Best suited for short to medium-length text where a personable, handmade tone is desired—children’s materials, casual posters, invitations, greeting cards, and playful packaging. It can also work for social graphics, headings, and labels where the rounded shapes and bouncy rhythm help set a friendly mood, especially at display sizes.
The font conveys a warm, easygoing personality with a lighthearted, kid-friendly charm. Its imperfect, human rhythm feels conversational and informal, suggesting handmade notes, playful signage, and cheerful packaging. The rounded silhouettes keep the tone soft rather than edgy or technical.
Likely designed to capture the spontaneity of hand lettering while staying clear and broadly readable. The intention seems to balance charm and simplicity: irregular enough to feel human, but consistent enough to function reliably across uppercase, lowercase, and numerals.
Uppercase and lowercase share a consistent hand-drawn logic, with distinctive rounded joins and gently uneven curves that emphasize authenticity. Numerals follow the same friendly, simplified style and maintain strong legibility, especially in bold, high-contrast (black-on-white) settings. The texture is clean rather than gritty, making it feel more like a tidy marker sketch than rough dry-brush lettering.