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Stencil Odpa 5 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to 'Bodrum Sans', 'Bodrum Soft', 'Bodrum Stencil', and 'Bodrum Sweet' by Bülent Yüksel (names referenced only for comparison).

Keywords: posters, branding, packaging, signage, title cards, industrial, futuristic, technical, modular, utilitarian, stencil system, modernize serif, industrial voice, display impact, system consistency, geometric, segmented, high-clarity, crisp, minimal.


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A geometric stencil serif with crisp, clean curves and straight-sided strokes that are interrupted by consistent bridges. Many letters feature deliberate breaks at cardinal points, creating a segmented rhythm across bowls and stems while keeping counters open and legible. Proportions feel generously set with broad rounds, stable verticals, and flat terminals; the lowercase maintains a straightforward, engineered construction with simple joins and occasional single-storey forms. Numerals and capitals follow the same system, with distinctive cut-ins and gaps that read as intentional mechanical detailing rather than rough distressing.

Well-suited to display settings where a distinctive, fabricated stencil voice is desirable—posters, branding marks, packaging, and wayfinding/signage concepts. It can also work for short editorial headings or pull quotes where the segmented texture adds personality while remaining readable at moderate sizes.

The systematic breaks and engineered geometry give the type a technical, industrial tone with a subtle sci‑fi edge. It feels precise and planned, suggesting machinery, signage, and fabricated lettering rather than handwritten or decorative calligraphy.

The design appears intended to merge classic serif structure with a modern stencil system, producing a controlled, modular look that reads as manufactured and contemporary. The consistent bridge logic suggests an aim for strong identity and reproducibility across a full alphanumeric set.

The stencil bridges are applied consistently enough to create a strong identity, but they also introduce memorable letterforms in key glyphs (notably round letters) that can become a focal point in headlines. The overall texture stays even in paragraphs, where the repeated gaps create a recognizable cadence without turning into noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸