Sans Superellipse Omkid 2 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Acumin' by Adobe and 'Robusta' by Tilde (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, labels, industrial, condensed, utilitarian, authoritative, modern, space saving, impact, clarity, branding, sturdy, compact, rounded, tall, crisp.
A compact, tightly condensed sans with monoline strokes and rounded-rectangle construction. Counters are narrow and vertically oriented, with softened corners and squared terminals that keep the shapes rigid and consistent. Curves read as superelliptical rather than fully circular, giving O/C/G and the bowls of B/P/R a boxy roundness. The lowercase is simple and compact, with single-storey a and g, short arms, and minimal modulation; numerals follow the same tall, compressed rhythm for dense, space-efficient setting.
Best suited to short, high-impact text such as headlines, subheads, posters, and display typography where horizontal space is limited. It can work well for packaging, labels, and wayfinding-style graphics that benefit from compact, sturdy letterforms. For long reading, it is likely most comfortable at larger sizes or with generous tracking due to its narrow counters and dense rhythm.
The overall tone feels industrial and functional, projecting strength and directness without ornament. Its compressed proportions and squared rounding evoke signage, labeling, and engineered interfaces, with a slightly retro-modern, utilitarian character.
The design appears intended to deliver a compact, space-saving sans with a strong vertical stance and a consistent, engineered feel. Its rounded-rectangle curves and uniform strokes prioritize clarity and repeatable geometry for bold, practical communication in display and graphic applications.
The tight internal spacing and narrow apertures create a dense texture, especially in long lines, while the consistent stroke and rounded corners help prevent the design from feeling brittle. The condensed geometry also makes punctuation and gaps read more prominent relative to letterforms in continuous text.