Sans Faceted Umbu 1 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Osmica' by Stefano Giliberti (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, sports branding, techno, industrial, futuristic, gaming, aggressive, impact, sci-fi branding, ui titling, modular geometry, high contrast silhouette, angular, chamfered, blocky, geometric, compact.
A heavy, geometric sans built from straight strokes and sharp chamfered corners, replacing curves with faceted planes. Counters are mostly rectangular or polygonal, with wide, squared apertures and a strong, uniform stroke presence. The lowercase is compact and sturdy with simple terminals, while caps read as modular blocks; diagonals (K, V, W, X) are clean and crisp, and round forms (O, Q, 0) appear as octagonal rings. Overall spacing and rhythm feel tight and mechanical, emphasizing solid silhouettes and high contrast against the background through mass rather than stroke modulation.
Best suited to bold headlines, posters, esports or gaming interfaces, and branding that benefits from a hard-edged geometric voice. It also works for short labels, packaging callouts, and tech-themed titling where strong silhouette recognition is more important than long-form reading comfort.
The faceted, armored shapes and squared counters convey a techno-industrial tone with a distinctly game-UI and sci‑fi flavor. Its sharp geometry feels assertive and engineered, lending a sense of speed, machinery, and digital hardware rather than warmth or tradition.
The design intent appears focused on creating a robust, high-impact display sans with faceted construction—delivering a mechanical, futuristic character while maintaining consistent, grid-friendly letterforms for punchy titles and interface-style text.
Legibility is strong at display sizes due to the simplified geometry and large internal cutouts, though the dense forms and tight interior details (notably in S, B, 8, and the lowercase a) can begin to merge when set very small. Numerals match the caps in structure, with angular turns and consistent corner beveling that keeps the set visually unified.